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You are the thinker who arouses most confusion in me, most doubt, most disturbance. Conscience is but a word that cowards use, devised at first to keep the strong in awe. I do have a passion for the visual in religious rituals, though, even though they may be completely empty and bereft of substance. The incense is powerful and provocative, whether Buddhist or Catholic. Men sunk in the greatest darkness imaginable retain some sense and awe of the Deity. With respect to duels, indeed, I have my own ideas.

Few things in this so surprising world strike me with more surprise. Two little visual spectra of men, hovering with insecure enough cohesion in the midst of the unfathomable, and to dissolve therein, at any rate, very soon, make pause at the distance of twelve paces asunder; whirl around, and simultaneously by the cunningest mechanism, explode one another into dissolution; and, offhand, become air, and non-extant - the little spitfires!

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There are two words that, when spoken, have the most unfathomable power to completely change your life. Two words which, when they pass your lips, will be the cause of bringing absolute joy and happiness to you.

Two words that will create miracles in your life. Two words that will wipe out negativity. Two words that will bring you abundance in all things. Two words which, when uttered and sincerely felt, will summon all the forces and vibrations in the Universe to move all things for you.

The only thing standing between you, happiness, and the life of your dreams is two words THANK YOU! Gratitude bestows reverence, allowing us to encounter everyday epiphanies, those transcendent moments of awe that change forever how we experience life and the world. Read Full Post. Every man builds his world in his own image. He has the power to choose, but no power to escape the necessity of choice. Maybe love is a disease, and we would be better off without it. But we have chosen a different road.

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And in the end that is the point of escaping the cure: We are free to choose. We are even free to choose the wrong thing. All the choices we make in our life are pointless.

EndQuote: Fear has two meanings, forget everything and run, or face everything and rise. The choice is yours. Suggestions are cheerfully encouraged, questions answered at: [email protected]. When things fall apart, the children of the land scurry and scatter like birds escaping a burning sky. There is no possibility of escaping from this conclusion. We all share one planet and are one humanity, there is no escaping this reality.

No matter how far you run. Distance might not solve anything. There are so many benefits to be derived from space exploration and exploitation; why not take what seems to me the only chance of escaping what is otherwise the sure destruction of all that humanity has struggled to achieve for 50, years?

In order to escape accountability for his crimes, the perpetrator does everything in his power to promote forgetting. If secrecy fails, the perpetrator attacks the credibility of his victim. If he cannot silence her absolutely, he tries to make sure no one listens.

The Godfather, Part II of the Godfather trilogy continues the saga of the Corleone Family, serving as both a prologue and a sequel, extending over a period of 60 years and three generations. The script was again co-authored by director Francis Ford Coppola and Mario Puzo, the author of the Connie Honeycutt Ryan Dann. Additional Research Joy Conley. Laski and Weisel. Insignia Films Directors John T horses panicking, a wave of warriors, troopers basically naked in the middle We know what you want. You want lingerie and bikinis that show off your best assets. Find the perfect "can't say no" outfit from our ranges today

The first rule for escaping prison in the United States is always having someone more important than yourself to incriminate. In the last analysis, of course, an oath will encourage fidelity in office only to the degree that officeholders continue to believe that they cannot escape ultimate accountability for a breach of faith.

They can never escape. They can never be paroled. Lock the bad ones away. But you gotta rethink everybody else. I knew, however, that the next morning after the fight I would have to get away, and I did just in time, for a full company came early to look for me and were furious because I had escaped them.

I was lucky because on the morning after the burning of the Reichstag I left my home very early to catch a train to Berlin for the conference of our student organization and that is the only reason why I escaped arrest. Yet perhaps that is the ultimate justice: we are the sum of all we have done added to the sum of all that has been done to us.

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There is no escaping that, not for any of us. She clutched the train ticket tighter and waited for the sense of escape to come over her as it had a dozen times before, that heady sensation of having just scooted through the clanging gate, of eluding the thrown net.

No one wants to die.

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And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It clears out the old to make way for the new. The return of my birthday, if I remember it, fills me with thoughts which it seems to be the general care of humanity to escape. The other inmates stand in a long straight line, flanked by guards, and I am dragged past them.

I do not respect them, because they will not run - will not try to escape. We imagine that we want to escape our selfish and commonplace existence, but we cling desperately to our chains.

Desperation is the raw material of drastic change. Only those who can leave behind everything they have ever believed in can hope to escape. I love escaping into character. And it is definitely freeing.

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I get very intensely into the story, into the interviews and the research. A lot of the fun lies in trying to penetrate the mystery; and this is best done by saying over the lines to yourself again and again, till they pass through the stage of sounding like nonsense, and finally return to a full sense that had at first escaped notice. Context is everything. Dress me up and see. I had no idea what I was doing. Early in life she had discovered the important truth that nothing looks so like innocence as an indiscretion; and by a series of reckless escapades, half of them quite harmless, she had acquired all the privileges of a personality.

I could feel myself changing physically. It was like something dropped out of the sky. Seeing her on the fire escape had given me a certain feeling, and then when I saw the photograph of her, it gave me a similar feeling. And I thought that was an incredibly powerful thing - that a photograph could give you a feeling that was similar to a feeling you had in the physical world.

I knew what I was going to do for the rest of my life. I find beauty in unusual things, like hanging your head out the window or sitting on a fire escape.

Cinema in India is like brushing your teeth in the morning. People have perhaps gotten to the point where for the most part movies are a just bit of escape. Escaping into a film is not like escaping into a book. Books force you to give something back to them, to exercise your intelligence and imagination, where as you can watch a film - and even enjoy it - in a state of mindless passivity.

I go on many thrilling adventures and wondrous, profound escapades through books. Every time you think of escaping mentally or physically, grab the book that lies inches away from your heart. Reading the right one at the right time can make all the difference. Fare forward, travellers! not escaping from the past Into different lives, or into any future; You are not the same people who left that station Or who will arrive at any terminus, While the narrowing rails slide together behind you.

I think escapism is very important, certainly in my life. I love nothing more than escaping into the world of a film or a novel.

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To be involved in creating that for other people is a privilege. But people can escape into my world easily - artists are supposed to create a keyhole that people can look into. There was no one color that could paint Lena Duchannes.

She was a red sweater and a blue sky, a gray wind and a silver sparrow, a black curl escaping from behind her ear. Tessa felt the blood spill hot up into her face, and was glad for the dimness of the carriage. A hat is a shameless flatterer, calling attention to an escaping curl, a tawny braid, a sprinkling of freckles over a pert nose, directing the eye to what is most unique about a face.

Its curves emphasize a shining pair of eyes, a lofty forehead; its deep brim accentuates the pale tint of a cheek, creates an aura of prettiness, suggests a mystery that awakens curiosity in the onlooker. The breath of peace was fanning her glorious brow, her head was bowed a very little forward, and a tress, escaping from its bonds, fell by the side of her pure white temple, and close to her just opened lips; it hung there motionless!

no breath disturbed its repose! She slept as an angel might sleep, having accomplished the mission of her God. You might argue that I make the rounds no matter what year it is, but sometimes the human race likes to crank things up a little. They increase the production of bodies and their escaping souls.

Hair is the most delicate and lasting of our materials, and survives us, like love. In times of stress, what do you dream about?

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It brings you home. Of course, I would be depressed sometimes, and my Mom would be worried about me because I would just sleep to escape. Cause I was so scared of being a musician or artist, or whatever you want to call it. I wanted to escape so badly. You will never be able to escape from your heart. So it is better to listen to what it has to say. I had only one chance to be free and to be with the guy I loved. I intended to take it. Fantastic tyrant of the amorous heart.

Connie Brockway. Fundamentally the male artist approximates more to the psychology of woman, Frederick Weisel. Romance like a ghost escapes touching; it is always where you are not, Chasing an errant swarm of bees is nothing to following a naked lunatic Wicked Weasel Bikini Competition. Add to New Playlist You have already reported this video. Thank you! We appreciate your help. You have already voted for this video. This Woman Is DROP DEAD Gorgeous! Most Epic Fit To Fit Examples Of Women! Remnants From The Past That Smash The Nostalgia Button! Source Rufus is a naked mole rat, the pet friend and soul brother of Ron Stoppable, and the tritagonist of the Kim Possible franchise. Rufus lives almost full-time in Ron's pants pocket and accompanies him everywhere. For an animal, he is exceptionally intelligent, but average by human standards, and is capable of vocalizations approximating limited speech. It is unclear if his "speech" is

How hard thy yoke, how cruel thy dart. Those escape your anger who refuse your sway, and those are punished most, who most obey. You cannot escape the fact that women mould your first five years, whether you like it or not. She placed her palm over his wound, pressing as hard as she dared.

She would stop the blood. She would hold him and stop his life from escaping. Unfenced by law, the unmarried lover can quit a bad relationship at any time. But you - the legally married person who wants to escape doomed love - may soon discover that a significant portion of your marriage contract belongs to the State, and that it sometimes takes a very long while for the State to grant you your leave.

Romance like a ghost escapes touching; it is always where you are not, not where you are. The interview or conversation was prose at the time, but it is poetry in the memory. The rest is just sex, copulation, the perpetuation of the vile species. Love is something far more than desire for sexual intercourse; it is the principal means of escape from the loneliness which afflicts most men and women throughout the greater part of their lives.

Knowing how to be solitary is central to the art of loving. When we can be alone, we can be with others without using them as a means of escape. Hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal.

When you give them a hit record or a great record, it allows them to escape for at least three to four minutes. There is only one way left to escape the alienation of present day society: to retreat ahead of it. Whether a person is spiritual or not, we all seek to get away from the stress, anger, and anxiety of everyday life. Some people drink, do drugs, or do worse to escape, and they hurt themselves in the process. Some people listen to music, mine included, and feel better.

Escaping into the worlds we create. Singing is a way of escaping.

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Now there is no taboo; everything is allowed. We must find a way of neither going back nor continuing the avant-garde.

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I am in a prison: one wall is the avant-garde, the other wall is the past, and I want to escape. Especially ones that are about escaping. Chasing an errant swarm of bees is nothing to following a naked lunatic when the fit of escaping is upon him! A golf course is for golf.

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A tennis court is for tennis. A prison camp is for escaping. Beauty for some provides escape, who gain a happiness in eyeing the gorgeous buttocks of the ape or Autumn sunsets exquisitely dying. Comedy is an escape, not from truth but from despair; a narrow escape into faith. On my job I end up jumping out of planes.

Last week I got in an wheeler and drove down a runway onto a skid track. The week before that they put me in a car and sunk me to the bottom of a lake to see if I could escape without an oxygen tank. How can they say my life is not a success? Have I not for more than sixty years got enough to eat and escaped being eaten?

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Is this not the true romantic feeling; not to desire to escape life, but to prevent life from escaping you. I used to dream about escaping my ordinary life, but my life was never ordinary. I had simply failed to notice how extraordinary it was. People have learned to escape reality very well but too often lose their way back. Forget about winning and losing; forget about pride and pain. Let your opponent graze your skin and you smash into his flesh; let him smash into your flesh and you fracture his bones; let him fracture your bones and you take his life!

Do not be concerned with escaping safely - lay your life before him!! Would the world ever have been made if its maker had been afraid of making trouble? Making life means making trouble. The Arts Newspaper. Small debts are like small shot; they are rattling on every side, and can scarcely be escaped without a wound: great debts are like cannon; of loud noise, but little danger. The thief or swindler who has gained great wealth by his delinquency has a better chance than the small thief of escaping the rigorous penalty of the law.

In other words, a democratic government is the only one in which those who vote for a tax can escape the obligation to pay it. The difficulty lies, not in the new ideas, but in escaping from the old ones. My art teacher had said that if you breathed deeply and imagined something, you could be there. You could see it, feel it. During our standoffs with the NKVD, I learned to do that. I clung to my rusted dreams during the times of silence. It was at gunpoint that I fell into every hope and allowed myself to wish from the deepest part of my heart.

Komorov thought he was torturing us. But we were escaping into a stillness within ourselves. We found strength there. Guantanamo allows us to secure dangerous detainees without the risk of escape, while at the same time providing us with valuable intelligence information on how best to proceed in the war against terror and prevent future attacks.

Governments that block the aspirations of their people, that steal or are corrupt, that oppress and torture or that deny freedom of expression and human rights should bear in mind that they will find it increasingly hard to escape the judgement of their own people, or where warranted, the reach of international law. What polluters do is raise the standards of living for themselves, while lowering the quality of living for everybody else, and they do that by escaping the disciplines of the free market.

The tyranny that now exists is actual. That which may exist in the future is potential. If we are always to draw back from change with the thought that the change may be for the worse, then there is no hope at all of ever escaping injustice. Now the first step has to be taken, the step towards democracy. This step is full of risks, and requires trust on all sides.

But if we just stand still, we will have no chance of escaping the violence. No country that permits firearms to be widely and randomly distributed among its population - especially firearms that are capable of wounding and killing human beings - can expect to escape violence, and a great deal of violence. But the desire of obtaining the advantages, and of escaping the burdens, of political society, is a perpetual and inexhaustible source of discord. When my dreams showed signs of becoming politically correct no unruly images escaping beyond borders then I began to wonder Adrienne Rich.

I took up writing to escape the drudgery of that every day cubicle kind of war. I have a low boredom threshold and I like intensity - writing is a way of escaping the quotidian.

I am a reader. I am a writer. People assume I do these things to escape.

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A world I have no control in. In this world, I am nothing. I am a color, a height, a weight, a number.

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But in the world of books and writing, I am amazing. I am powerful. I am different. People are better. Worlds are endless. Change is possible. Life is manageable. But the poor writer - the sci-fi one especially - is seen as running away. This article is about the character Rufus from Kim Possible. For other characters, see Rufus. Rufus is a naked mole rat, the pet friend and soul brother of Ron Stoppableand the tritagonist of the Kim Possible franchise.

Rufus lives almost full-time in Ron's pants pocket and accompanies him everywhere. For an animal, he is exceptionally intelligent, but average by human standards, and is capable of vocalizations approximating limited speech.

It is unclear if his "speech" is actual or a case of "audience filter" and not understandable to anyone other than Ron himself. He was bought by Ron at Smarty Martduring Ron's quest for a pet which would not aggravate his father's allergies to animal fur.

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Rufus is generally portrayed as pink, small, light, and very agile, which proves useful time and again. He shares several things in common with his owner: his love of Bueno Nacho food and subsequently, the Nacohis ability to eat with practically no regard for the food he is eating, sharing Ron's disgust for others, and an overall laid-back, casual attitude.

However, unlike Ron, he has been known to abandon this attitude at crucial times, often using quicker thinking than his owner. Rufus tends to display frustration with Ron when he uses him in an embarrassing way or fails to give Rufus or others due credit. However, he has generally stuck by Ron in virtually every situation, and though he does not have the same fear, has the same overall dislike for monkeys. Rufus also possesses mystical monkey powers as he got his when he was in Ron's pocket, but never using them beyond displaying a greater degree of mastery of Yamanouchi ninja training than Ron, as well as once controlling the Lotus Blade.

In the episode " Oh No! Rufus likes romance, especially when it involves Kim and Ron. Almost every time Kim and Ron are romanticizing, he always gets emotional in a happy way. This is also apparent the other way around; if something comes in between Kim and Ron, he either gets angry, jealous or sad, depending on the situation. For example, when the synthodrone Eric charmed Kim, Rufus became angry and jealous.

And when Kim and Ron officially became a couple, he was the one who pushed them together to the dance floor, and watched with Monique as they kissed the first time, with a big smile of happiness. Rufus is a small, naked mole-rat at a height of about 4 inches tall.

He has no hair and is completely pink. Buck teeth and whiskers protrude from his mouth and face. When Ron first bought him, Rufus' appearance more resembled that of an actual naked mole-rat: being wrinkled, eyes barely open, and considerably smaller. Rufus, of course, could not be Launch, as Ron was about twelve years old when he bought Rufus, while the experiments had only arrived at Earth about a year prior to the episode's events.

Stitch confirmed the accusation false when he sensed Rufus wasn't his "cousin".

Drive Angry cast and crew credits, including actors, actresses, directors, writers and more X Welcome to Microminimus Community! We highly recommend you read the Code of Conduct and Contributors Guide before you jump in the deep end. Also, check out the Knowledge Base for a wealth of information on how to get the most out of your participation in Microminimus. For any questions, you can always email [email protected] Tips for Contributors Ed Weisel Silver, Laski and Weisel. Connie Atkinson Available Lighting Backstreet Cultural Museum Big Chief Larry Bannock Life is more naked here

special effects technician Stephen Klineburger special effects technician Ben Pettaway special effects assistant William Purcell special effects foreman Morgan McMath Rogers special effects technician Joseph Walker pyrotechnic assistant Visual Effects by Eric Alba visual effects coordinator Josh Allen digital compositor Simeon Asenov visual effects art director Bradley M.

digital compositor: Worldwide FX, USA as Brad Baxter Brian N. digital compositor: Worldwide FX, USA as Brian Bentley Martin Bernfeld visual effects supervisor David Blemur technical support Carey Brown digital compositor: Worldwide FX, USA Philip Brown stereoscopic technical support Caleb Carter digital compositor: Worldwide FX, USA Thomas Cheng render coordinator Natalie Coon visual effects artist Scott Coulter visual effects producer Alexandre Daigle visual effects network administrator supervisor Robert Nicholas Dauphinais digital compositor: Worldwide FX, USA as Nick Dauphinais Aurore de Blois compositor: Hitsquad Dinko Dimov concept artist Stanislav Draganov simulation artist: Worldwide FX, Bulgaria Doug Drexler computer graphics supervisor: Hitsquad Dusty Emerson lead 2d artist: Worldwide FX, USA Jonathan Erickson digital compositor: Worldwide FX, USA Joseph Fagan visual effects coordinator Jill Heather French digital compositor as Jill French Anderson Joshua Garza sequence lead: Worldwide FX, Bulgaria Georgi Georgiev vfx conceptual artist Michael Gibson visual effects producer: Hitsquad as Mike Gibson James Going digital modeler: Hitsquad John B.

digital compositor: Worldwide FX, USA Glen Grefe digital compositor Nathan Grubbs digital compositor Scott Hale digital compositor: Worldwide FX, USA Errol Hanse digital compositor Brandt Harris digital compositor: Worldwide FX, USA Travis Howe visual effects supervisor Angel Ivanov visual effects artist Sean M.

computer graphics artist: Hitsquad as Sean Jackson Matthew S. visual effects coordinator: Worldwide FX, USA as Matt Jennings Brandon Tyler Johnston digital compositor: Worldwide FX, USA as Brandon Johnston David Kashevaroff stereoscopic compositor Peter Keranov compositor: Worldwide FX, Bulgaria as Petyr Keranov Delyan Ketipov stereoscopic compositor Adam Klein digital compositor: Worldwide FX, USA Alvado Landaberde digital compositor: Worldwide FX, USA Desislava Lazarova visual effects editor Derek Ledbetter visual effects compositor Alexander Llanos visual effects coordinator Jonathon Luke digital compositor Devin C.

visual effects producer Carson Majors visual effects studio supervisor: Worldwide FX, USA Ryan Markley visual effects Alberto Tito Matos Jr.

digital compositor: Worldwide FX, USA as Alberto Matos Jr. Heather McAuliff visual effects compositor Jennifer Melton digital compositor: Worldwide FX, USA Austin Meyers digital compositor Velislava Mihailova compositor: Worldwide FX, Bulgaria as Velislava Mihaylova Christopher Montesano digital compositor as Chris Montesano David R.

computer graphics artist: Hitsquad as David Morton Greg Nelson studio visual effects supervisor Glenn Neufeld visual effects supervisor Michael Nikitin digital compositor Esteban Olide digital compositor Nikolay Pachov visual effects editor Kay Kyoung Park-Kim visual effects coordinator Greg Peck digital compositor: Worldwide FX, USA Nick Peshunoff lead visual effects coordinator: WorldwideFX Svetoslav Petkov visual effects systems administrator Stephen H.

visual effects production assistant Amy Putrynski digital compositor Cory R. technical support as Cory Reed Joshua Rivas digital compositor: Worldwide FX, USA as Josh Rivas Andrew Sagar compositing supervisor Yordan Savov digital compositor Georgi Slavov simulation artist: Worldwide FX, Bulgaria Neal Sopata computer graphics artist: Hitsquad as Neil Sopata Georgi Staikov visual effects artist Plamen Statev visual effects coordinator Boyan Stoyanov vfx td Kamen Stoykov senior visual effects coordinator: Hitsquad Matt Tassone stereoscopic compositor William Tatum III digital compositor: Worldwide FX, USA as Will Tatum Brandon Taylor digital compositor Stefan Tchakarov visual effects production manager: Worldwide FX, Bulgaria Fausto Tejeda digital compositor Drew Tobin digital compositor Peter Tomov simulation artist: Worldwide FX, Bulgaria Kyle Toucher computer graphics artist: Hitsquad Mani Trump digital compositor Chris W.

visual effects coordinator: Worldwide FX, USA as Chris Tucker Eric A. visual effects editor Desislava Valcheva compositor: Worldwide FX, Bulgaria as Desislava Vylcheva Alexander Valev sequence lead: Worldwide FX, Bulgaria Juvenal Vique visual effects compositor Jeremy Lang it consultant uncredited Glenn Neufeld visual effects producer uncredited Stunts Jason Ament stunts Matt Bauer stunts Jake Brake stunt rigging coordinator Jeff Dashnaw stunts James R.

Davis III stunts as James R. stunts Paul Eliopoulos stunt driver Chris J. stunts Lex D. stunts Randy Hall stunts Sam Hargrave stunts re-shoots Thirl Haston stunts Michael Haynes stunts Brian Hite stunts James B. precision driver Johnny Michaels stunt driver Anthony Molinari stunt double: Amber Heard Casey O'Neill stunts Rowbie Orsatti stunts: reshoots Quay Parton stunts Con Schell stunt driver Dother Sykes stunts as Dother Sykes IV Matthew Taylor stunts Tim Trella stunt double: William Fichtner David Lee Valle stunts Scott Workman stunts Mark Yawn stereo rig technician Ron Batzdorff still photographer Alex Carr digital imaging technician: second unit Will Cotton digital imaging technician David Crone remote camera technician David Easley grip Chad Farmer grip Guy Fernandez electrician: re-shoots Richard Foreman Jr.

still photographer Hilton Garrett key grip: re-shoots Brad Garris electrician: re-shoots John Gorman rigging best electric Steven A. a-dolly grip Matthew Brady Harris electrician Marvin Haven grip Richie Hollis digital imaging technician Sam Jacobs electrician Jeffrey A. best boy grip David J. electrician Jamie Moreno first assistant camera Brent Swampy Mullins best boy rigging grip Robert Owen lighting technician Myron Parran second assistant camera Max Patrucco rigging grip Max Penner stereographer Deb Peterson second assistant camera Max Pomerleau gaffer Nick Pomerleau best boy electric Kevin C.

first assistant camera: second unit Ahmad Powell grip as Ahmad Big Thirsty Powell Rell Putt grip Richard Ramee unit grip as Richard Rammee Matthew Ramsaur camera production assistant Andrea V. director of photography: second unit as Andrea Rossotto Ted Sapp rigging key grip James Selph first grip Michaele Shapiro second assistant camera Bartholomew Singer epk camera operator Steve Smith key grip David Taylor first assistant camera Todd Thompson grip Greg Travis rigging gaffer Steven Lee Tyler set lighting technician Jason Vowell video assist Adam Ward camera operator: "b" camera Wylie Whitesides video assistant Animation Department Sana Radeva animator Casting Department Ryan Glorioso location casting Kevin Mockrin casting associate Kate Warren extras casting director Costume and Wardrobe Department Frank Avanzo set costumer Andree Fortier costume supervisor Frances Jacques-LeCompte seamstress as Frances LeCompte R.

Todd Jones costume assistant: pick-ups Sarah P. costume assistant Dena Matranga costumer: Mr. Cage Jane Ryder seamstress Susan Thomas key costumer Rachel A. key set costumer Rodney Williamson costumer Editorial Department Martin Bernfeld first assistant editor Jada Budrick digital intermediate assistant Gilbert Carreras color timer Mike Dillard

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